I’m pretty far behind on the Netflix Marvel Microverse. I’m about two episodes into the season two of Jessica Jones, I haven’t started the second season of Luke Cage despite my best intentions to do so and I’m just never going to watch the second season of Iron Fist. But gosh darn it I love me some Horn Head, so when Daredevil Season 3 debuted on Netflix last Friday I dove in, continuity be damned.
Two episodes in I was bemoaning the creative decision to make these shows ensemble affairs, rolling my eyes through subplots and characters I never would have given the time of day to had I encountered them on wild television with no Daredevil in sight. It’s a shortcoming, akin to stretching what could be done in ten episodes out to thirteen, that is present in this season of Daredevil just as it is in every preceding Netflix MCU entry.
You will get to know the friends and family of Daredevil’s friends and family. You will have character backstory laid out beat by beat over the course of meticulous flashbacks that all fail in efficiency and effectiveness in comparison to the character background provided by Jon Bernthal’s stunning monologue in last season’s “Penny and Dime.” You will sit in on so, so, so many meetings in so many offices in New York City.
But in the end, Daredevil Season 3 flourishes in spite of these familiar faults.
There were moments in the season’s second episode in which I found myself thinking “I hate this.”
By the end of Episode 3 I’d stumbled upon a cautious optimism that, by the end of Episode 4, bloomed into elation and appetite that sustained me through a frenzied viewing of the rest of the season.
Where Daredevil has, in its previous two seasons, proven less concerned with the world outside our windows than the likes of Jessica Jones, Luke Cage, or even the Punisher, here it dives full-bore into the bewildering state of American politics in 2018.
In its waning episodes, when the show most directly states its ideas and concerns, they feel earned, organic, even profound. The ideas and discourse throughout the season are by no means hidden, but I for one never felt myself being lectured to or beat over the head with an ideology, and so when Matt Murdock finally declared “some people are so rich and powerful the system cannot handle them” it felt frighteningly true, like an inescapable, outraged epiphany.
Here, Vincent D’Onofrio’s Wilson Fisk is almost revealed anew, an already established villain and a lauded performance recontextualized by real world events far beyond Kingpin’s control. Daredevil Season 3 gives us a chess match between leviathan economic, social and legal constructs, calling the worth of all of them into question, casting the Man Without Fear, and thus the audience, adrift in the uncertain waters between them.
What if this is the end of the system? The end of the old rules? Of how things are supposed to work? Of establishment? What if the human contrivances built to impose justice and morality have abandoned us?
Fisk demands Matt Murdock and company grapple with these questions and in doing so enflames very contemporary insecurities. More impressive than just how ably the show hammers at these insecurities, however, is that despite these nagging uncertainties still dangling like loose story threads in the real world, Daredevil Season 3 actually manages to arrive at something of a satisfying, thoughtful ideological conclusion.
The profundity of that conclusion, and the insecurities that lead to it, are sold in no small part by Charlie Cox turning in a spectacular, career-best performance as Matt Murdock. The places he goes and the authenticity he brings with him throughout these thirteen episodes is astonishing. Also of note is Jay Ali’s FBI Agent Rahul Nadeem, who feels as though he walked through a door in our world directly onto this operatic, philosophical battlefield. Ali is an actor I’ll definitely be on the lookout for in films and television to come.
Though this season of Daredevil is still hindered by the aforementioned, tradition Netflix MCU shortcomings, the usual slump that occurs a little over halfway through these shows is nowhere to be found here. Once the season kicks into gear around Episode 3 the stakes and intensity rarely, if ever, stagger, building to a momentous final confrontation.
Season 3 of Daredevil pushes itself to be more than gritty and adult, coming to the table thoughtfully and confidently with something to say about the world, and these thirteen episodes greatly benefit from that push as the comprise the best season of Daredevil yet.