Holy crap I’m almost done! I did it fam. In preparation for my viewing of Avengers: Infinity War on April 26th at 7PM, I went back and rewatched the previous 18 films in the Marvel Cinematic Universe, from Iron Man to Black Panther. Every day leading up to Infinity War I’ll be posting a short piece on each film and my most recent hot takes on nearly a decade of the MCU. I’ll also be linking back to whatever old nonsense I wrote about the movies at the time, if applicable. And if that isn’t enough, check out my ranked listed of the MCU to date on my Letterboxd account here.
Don’t get me wrong, this movie is amazing, but boy oh boy did it not require any of the Jacuzzi vision quest from Age of Ultron. Like, not even a little bit.
Anyway, spoilers ahead for Thor: Ragnarok.
Despite being a few hundred years old and a god and all that, Thor is one of the more dynamic characters in the Marvel Cinematic Universe, with a compelling arc that finally gets an equally compelling movie to match in Thor: Ragnarok.
When we met Thor in the original 2011 film he was ready to assume the throne of Asgard, eager to rule because damnit it was his birthright to rule, because it was simply what was supposed to happen. In his first cinematic outing, however, the God of Thunder falls prey to a Patented Marvel Humbling (PMH) and learns that even vaguely decent and worthy leadership requires more than lineage and demands more than a wink and a smile. He learns that the throne is more than a chair.
It is perhaps because of that daunting knowledge that when we return to Asgard in The Dark World Thor has no interest whatsoever in the throne he had once been so certain was his. In Dark World, as a far worthier prospect for kinghood than he was when we met him, Thor turns down the throne, maybe out of a newfound humility, maybe out of a newfound fear of ruling.
By the end of Ragnarok, however, Thor has come full circle, back to where we met him years ago, standing before the throne, surrounded by his people. But the golden palace is gone, as is the sparkling silver helm. There are no more feasts and cries of merriment, as all of that pomp and circumstance has been replaced by a sea of refugees and a leader who at last feels the true burden of what it is to rule.
As hilarious as Ragnarok is, it’s also a pretty cruel film. Though it concludes with Thor finally ascending the throne, it only does so after first utterly destroying Thor’s sense of home and then utterly destroying Thor’s actual home. Having finally attained a somber understanding of the responsibility of leadership, Thor is stripped of his understanding of the cultural entity he is tasked with shepherding.
Ragnarok’s uncertain ending echoes that of Captain America: Civil War, that unsure ground being one of many thematic through lines of Marvel’s third phase of films that run through the movie. The problematic and deceitful retelling of history by authority from in Doctor Strange, the protagonist faced with the harsh realities of their inherited privilege from Guardians Vol. 2, and the exploration of monarchy and colonialist antagonism that follow in Black Panther all play a part in Raganrok. One can’t help but wonder what sort of role these motifs might play in Infinity War.
Whatever fate may have in store for Thor, the character has finally truly gotten his due in Ragnarok and Chris Hemsworth has been able to take the God of Thunder on a philosophical and emotional journey few if any other MCU characters can match.
Anyway, I’m calling it: Hela lives!
Thor: Ragnarok = the God of Thunder’s first semester, freshman year of college? I think maybe: