Forgive any formatting sins. I’m uploading from my phone in the theater.
Two years after its release, as its successor The Last Jedi prepares to debut, Star Wars: The Force Awakens has had enough time to begin the transition from the pop culture phenomenon of 2015, to, ya know, just another chapter in the ongoing Star Wars saga. It’s had time to cool off from its meteoric arrival and settle into its place as an entry in the decades old film series, slowly melding into the whole.
But at two years old, where does it fit in amongst its numerous siblings?
If you were to stitch Return of the Jedi to The Force Awakens and make one 5 hour mega film, the pivot point would be a freeze frame at the very end of Jedi, followed by a ripping record scratch. While the events of VII don’t upend 100% of what the Rebellion achieves in the original trilogy, it does appear to even the playing field between good and bad in the galaxy, in spite of the desolation of evil Return of the Jedi had presumably depicted.
In the context of the larger Star Wars narrative, the function of VII becomes twofold: to reveal how truly daunting a prospect the goals of the rebellion actually are, and to insist that those goals are still achievable.
The Force Awakens gives us a far more complicated, arguably indiscernible status quo for the galaxy that the original Star Wars. We know who the good guys and bad guys are, but wherein Star Wars it was pretty clear the bad guys were in charge, the exact dynamics of the sequel-era galaxy are a little murkier. While we don’t get an abundance of information as to how the good, bad and indifferent relate to each other, we do get a pretty simple new way to tell them apart.
The good guys are nice to each other. The bad guys? Not so much.
The world would be a better place if there were a lengthy and readily available compilation of John Boyega reuniting with people. Finn, Rey and Poe treat one another with a relentless kindness, free of cynicism or sarcasm. These near strangers exhibit care for one another that still brings a smile to my face, a dozen plus viewings later, the sort of unshackled, earnest concern and empathy that even the likes of Han, Luke and Leia never exactly overflowed with.
If The Force Awakens is the film that signals just how difficult ending conflict and instilling peace in a franchise called Star Wars actually is, then it is also a chapter that reiterates no matter where the seemingly ceaseless swinging of the pendulum is between good and bad, subjugation and freedom, CGI and matte paintings, there will always be a well of everyday bravery and small kindnesses to draw from.
Until The Last Jedi retcons everything. I’ll let you know in two and a half hours.